A no-holds-barred descent into the most filthy and degrading
sexual acts imaginable, with each fresh round of shame for the heroine soon
being trumped by something even more debased. Fantastic!
Tansy’s a freelance investigator of magical creatures in a
world in which such beings have returned with a vengeance. And she’s not above
shaking her booty to find out what she needs to know. But when she trades one
quick fuck with a fairy for his help in retrieving a stolen document, she finds
herself under a super-nympho curse that could kill her. With her flatmate
cousin, and her fella, in tow she sets out to find the solution. Along the way she finds herself in the hands
of crazed yokels, a witch and her sons and the very king of the Wild Hunt
himself. And they all want to stuff her. Repeatedly.
For a tale about shame, this book is utterly shameless.
Ashbless has come up with every possible means of reducing the heroine to a set
of fuckholes, with a little left over for her companions, Gail and Vince. There
is no let-up in the shift from one outrageous sex scene to the next. Every
possible configuration of fucking is covered along with many peripherals in the
way of bondage, pain and punishment. This is a fantasy tale; don’t expect big emotional
interplay between the characters. Do expect to lose yourself in a skilfully
written, filthy hot romp with vivid description and a well-constructed
crossover world of reality/fantasy.
I’m always impressed when an author can take a classic text
and subvert it for the purposes of filth. Ashbless starts off with Christina
Rossetti’s Goblin Market, positing a lost version which is a lot less prudish
and cautionary. The tasting of the goblins’ forbidden fruits becomes a parallel
to Tansy’s fuck with a fairy; she finds herself unable to eat but desperately
wanting more ‘forbidden fruit’. On a wider scale, the novel’s folklore world is
thoroughly researched and convincingly drawn, taking up both well-known and
more obscure myths and legends and weaving them into a sinister and
unpredictable reality.
Having begun the tale with Tansy’s seduction of antiques
dealer Edmund – who turns out to be harbouring a libidinous ogress – I expected
him to play a part in the story’s development, so I was a little disappointed
when this turned out to be a plot device which didn’t involve the character’s
return. Similarly, the looming war between the fairy king and the Pendragon is
talked up into something significant, but then fades out. I would also have
liked to know more about what happened to Gail and Vince after their escape and
how they dealt with what happened to them. But these are minor gripes. Named and
Shamed was a hugely enjoyable read, refreshingly dirty and compellingly
written.

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